Tokujin Yoshioka sculpts ice Chairs for Milan Design Week
Japanese artist Tokujin Yoshioka sculpts a series of chairs made of frozen water, designed to be displayed and slowly disappear during Milan Design Week 2025. Installed at the historic Palazzo Landriani in the Brera district, Frozen explores the ephemeral beauty of water crystallized into form. The exhibition, presented in collaboration with Grand Seiko Europe, continues Yoshioka’s long-standing investigation into immateriality and nature.
At the center of the installation is Yoshioka’s latest work, Aqua Chair, a luminous, transparent sculpture that evolves over time. Fabricated using a proprietary process that begins with an ultra-transparent block of ice, the chair emerged naturally from a special technique of slow-freezing. Ice, capable of refracting and emitting natural light, gives form to a chair whose silhouette gradually changes, shaped by light, wind, and temperature. By the end of the Milanese event, the sculpture is set to transform into an organic composition, then slowly vanish. Measuring 120 cm wide, 100 cm deep, and standing 89 cm tall, the 850 kg form captures the refractive qualities of water. Aqua Chair, or the Sculpture of Light, gives rise to an experience that transcends materiality, inviting reflection on the beauty and energy of the natural world while celebrating its essential significance.
all images courtesy of Grand Seiko and Tokujin Yoshioka
Tokujin Yoshioka’s Frozen Connects Light, Water, and Time
Artist Tokujin Yoshioka approaches water not merely as a visual motif but as a substance in transition, elemental, reflective, and inherently temporal. By working with crystallization, the designer evokes natural transformation as a method of shaping material. Light, temperature, and atmosphere become collaborators in the formation of the work, underlining Yoshioka’s concept of ‘Sculptures of Light.’ The collaboration with Grand Seiko Europe creates a dialogue between the Aqua Chair and the brand’s Spring Drive timepieces, which are displayed alongside the installation. The pairing is grounded in a shared philosophy, one that finds inspiration in natural phenomena and the unceasing continuity of time. Spring Drive’s glide-motion seconds hand mirrors the quiet rhythms found in nature, offering a mechanical expression of Yoshioka’s fluid forms.
Within the broader theme of Fuorisalone 2025, ‘Connected Worlds,’ the project embodies a convergence of craftsmanship, innovation, and environment. Yoshioka’s contribution reflects an approach to design where technology and material dissolve into the experience of nature itself. On view through April 13, Frozen invites visitors to engage not only with physical objects but also with the intangible forces that shape them, such as time, light, water, and silence.
Tokujin Yoshioka’s Aqua Chair begins as a block of frozen water
Frozen is installed at the historic Palazzo Landriani in Brera
as Milan Design Week unfolds, the sculptures slowly melt away
formed by slow-freezing, the chair evolves under light and air
water is treated not just as a motif, but as a living material
Tokujin Yoshioka posed with his ephemeral Aqua Chair
light, wind, and temperature help shape the sculptures
Frozen installation explores the beauty of ephemerality and change
over time, the chairs transition into an organic compositions
